Edward Kienholz (October 23, 1927 – June 10, 1994) was an American installationartist and assemblagesculptor whose work was highly critical of aspects of modern life. From 1972 onwards, he assembled much of his artwork in close collaboration with his artistic partner and fifth wife,Nancy Reddin Kienholz. Throughout much of their career, the work of the Kienholzes was more appreciated in Europe than in their native United States, though American museums have featured their art more prominently since the 1990s.
Art critic Brian Sewell called Edward Kienholz "the least known, most neglected and forgotten American artist of Jack Kerouac's Beat Generation of the 1950s, a contemporary of the writers Allen Ginsberg, William Burroughs and Norman Mailer, his visual imagery at least as grim, gritty, sordid and depressing as their literary vocabulary".
On the first chilly night of fall, fifty-something twenty-somethings line up on the sidewalk on Santa Monica Boulevard... One woman has fashioned a top out of a plastic grocery bag ... All of them want one thing ... Modern artist Edward Kienholz created a life-size replica of the bar titled “The Beanery” in 1965 — still on display at a museum in Amsterdam.
Artist David Hockney has ridden many technological waves. While his mark-making has remained resolutely painterly, he has challenged the practice of painting. He was an early adopter of computer-assisted drawing, using the iPad and iPhone ... During the late 1960s, the artist Edward Kienholz created a complex installation reflecting racism in the US ... .
BY NEIL GENZLINGER. NEW YORKTIMES... 5 at her home in Santa Fe, N.M. She was 90 ... In 1965 she opened a second gallery, in Manhattan ... She opened that gallery with an exhibition by Edward Kienholz, who was becoming known for his elaborate assemblages, but soon she had a reputation for championing minimalists like LeWitt and Andre, as well as conceptualism.
In 1962, when Edward Kienholz made “The IllegalOperation,” the sculpture gave intense visual form to an experience many knew, but one that remained submerged deep in the culture’s shadows ... Kienholz’s sculpture embodied one legacy of misogynistic brutality that had blessedly ended ... Edward Kienholz, “The Illegal Operation (detail),” 1962, mixed media.
Cory Walsh. When Brian Maguire, an Irish painter, talks about his work, he sounds more like a documentary filmmaker or a war correspondent ... “I want to tell their story. We are storytellers." ... Everything ... He was close friends with the late artists Edward and Nancy Kienholz, who lived in Hope, a small community on the northeast side of Lake Pend Oreille ... .
This pattern of inclusion is part of the legacy of museum founder, director and primary curator Rebecca Alban Hoffberger, a longtime ally of the LGBTQ community ...That’s how I feel ... Inspired in part by Waters’ own art making and an Edward Kienholz exhibition he chanced upon, Adams began making art in 1996, after the loss of his toy poodle, Odie ... ....
The exhibition is easy to take in, physically ... The best demonstration of this is Edward and NancyRedding Kienholz’s “The OzymandiasParade,” a massive mixed media tableau which presents replicas of guns and grenades on top of stacks of dollar bills, a leader upside down on a horse, a torn American flag and a skeleton in uniform ... .
Works made with sticks and chainsaws and others made out of a crashed Dodge... Opens Tuesday and runs through April 4. USC, 823 W ... 121 N ... Edward and Nancy Kienholz, “The Merry-Go-World or Begat by Chance and the WonderHorseTrigger,” at L.A ... Edward and Nancy Reddin Kienholz, “The Merry-Go-World or Begat By Chance and the Wonder Horse Trigger,” 1988-1992.
The arts scene is getting rolling again for the new year, with shows that dwell in mystical and a screening series that is all about dance. Here are almost a dozen exhibitions and events to check out in the coming week. ... Opens Saturday at 6 p.m ... 22 ... Edward and Nancy Kienholz, “The Merry-Go-World or Begat by Chance and the WonderHorseTrigger,” at L.A.