- published: 31 Oct 2011
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Edward Kienholz (October 23, 1927 – June 10, 1994) was an American installation artist and assemblage sculptor whose work was highly critical of aspects of modern life. From 1972 onwards, he assembled much of his artwork in close collaboration with his artistic partner and fifth wife,Nancy Reddin Kienholz. Throughout much of their career, the work of the Kienholzes was more appreciated in Europe than in their native United States, though American museums have featured their art more prominently since the 1990s.
Art critic Brian Sewell called Edward Kienholz "the least known, most neglected and forgotten American artist of Jack Kerouac's Beat Generation of the 1950s, a contemporary of the writers Allen Ginsberg, William Burroughs and Norman Mailer, his visual imagery at least as grim, gritty, sordid and depressing as their literary vocabulary".
Edward Ralph Kienholz was born in Fairfield, Washington, in the dry eastern part of the state. He grew up on a wheat farm, learning carpentry, drafting and mechanical skills. His father was strict, and his mother was a religious fundamentalist. but the rebellious son longed to escape this constricted environment. He studied art at Eastern Washington College of Education and, briefly, at Whitworth College in Spokane, but did not receive any formal degree. After a series of odd jobs, working as an orderly in a psychiatric hospital, manager of a dance band, used car salesman, caterer, decorator and vacuum cleaner salesman, Kienholz settled in Los Angeles, where he became involved with the avant-garde art scene of the day.
Nancy Reddin Kienholz (born December 9, 1943) is an American mixed media artist based in Hope, Idaho. She works in installation art, assemblage, photography, and lenticular printing. She is most famous for her collaborations with her husband and creative partner Edward Kienholz.
Reddin was born in Los Angeles, California in 1943. Her father, Thomas Reddin, was born in 1916 in New York City and worked in Los Angeles as a police officer; he would eventually serve as chief of the Los Angeles Police Department from 1967 to 1969. Her mother, real estate broker Betty Parsons Reddin, was born in 1921 in Denver, Colorado. Nancy was the youngest of three children, born after older brothers Thomas T. Reddin (1938 – 1985) and Michael Gray Reddin (b. 1942).
Reddin was first married at age 19. She had one child from this marriage, Christine, in 1964, but the marriage ended after two years. Reddin received no formal training in art, and worked several odd jobs in Los Angeles before beginning her collaborations with Ed Kienholz in 1972.
Los Angeles (i/lɒs ˈændʒəlᵻs/ loss AN-jə-ləs or loss AN-jə-liss) (Spanish for "The Angels"), officially the City of Los Angeles and often known by its initials L.A., is the second-largest city in the United States after New York City, the most populous city in the state of California, and the county seat of Los Angeles County.
Situated in Southern California, Los Angeles is known for its mediterranean climate, ethnic diversity, sprawling metropolis, and as a major center of the American entertainment industry. Los Angeles lies in a large coastal basin surrounded on three sides by mountains reaching up to and over 10,000 feet (3,000 m).
Historically home to the Chumash and Tongva, Los Angeles was claimed by Juan Rodríguez Cabrillo for Spain in 1542 along with the rest of what would become Alta California. The city was officially founded on September 4, 1781, by Spanish governor Felipe de Neve. It became a part of Mexico in 1821 following the Mexican War of Independence. In 1848, at the end of the Mexican–American War, Los Angeles and the rest of California were purchased as part of the Treaty of Guadalupe Hidalgo, thereby becoming part of the United States. Los Angeles was incorporated as a municipality on April 4, 1850, five months before California achieved statehood. The city experienced rapid growth with the discovery of oil.
Edward is an English and Polish given name. It is derived from the Anglo-Saxon form Ēadweard, composed of the elements ead "wealth, fortune; prosperous" and weard "guardian, protector".
The name has been adopted in the Iberian peninsula since the 15th century, due to Edward, King of Portugal, whose mother was English. The Spanish/Portuguese forms of the name are Eduardo and Duarte.
Other variant forms include French Édouard, Italian Edoardo, German and Dutch Eduard and Scandinavian Edvard. Short forms include Ed, Eddy, Eddie, Ted, Teddy, Woody and Ned. Edward can be abbreviated as Edw.
A war memorial is a building, monument, statue or other edifice to celebrate a war or victory, or (predominating in modern times) to commemorate those who died or were injured in a war.
For most of human history war memorials were erected to commemorate great victories. In Napoleon's day, the dead were shoveled into mass, unmarked graves. The Arc de Triomphe in Paris and Nelson's Column in London contain no names of those killed.
However, by the end of the nineteenth century, it was common for regiments in the British Army to erect monuments to their comrades who had died in small Imperial Wars and these memorials would list their names. The Franco-Prussian War of 1870–71 was the first war in Europe in which rank-and-file soldiers were commemorated in war memorials. Every soldier was granted a permanent resting-place as part of the terms of the Treaty of Frankfurt (1871). By the early twentieth century some towns and cities in the United Kingdom raised the funds to commemorate the men from their communities who had fought and died in the Second Anglo-Boer War.
Kienholz. The Signs of the Times
Mario Ybarra, Jr. on Edward Kienholz /// Artists on Art
Hommage an Edward Kienholz
Curator's Talk: Paul Schimmel on Edward Kienholz
The Beanery van Edward Kienholz: Sporen in de tijd Restauratie van een icoon
Edward Kienholz, The Portable War Memorial, Museum Ludwig Köln
Edward Kienholz
Mein Video Kienholz
Museum exhibition // Nancy Kienholz on Five Car Stud by Edward Kienholz
Kienholz. The Signs of the Times. Retrospective.
Kienholz: Five Car Stud / Fondazione Prada, Milan
Singular Visions: Edward Kienholz, The Wait, 1964-65
Kienholz. Die Zeichen der Zeit
Edward Kienholz
Edward Kienholz
Ed Kienholz and Nancy Reddin Kienholz Useful Art #5: The Western Hotel, 1992
Kienholz
The Story of an Artist...Ed Kienholz 1961
Edward Kienholzs Roxys at DAVID ZWIRNER
Portable War Memorial, Edward Kienholz
Conserving an Icon: Traces of Time in The Beanery by Kienholz
PST revisits Ed Kienholz's 'Five Card Stud' at LACMA
Kienholz: Berlin/Hope (2014)
Ed Kienholz' Beanery in re-opened Stedelijk Museum Amsterdam
Rebellious, provocative, and ever polarizing, Kienholz's oeuvre has always caused quite a stir since its beginnings in the mid-1950s, first the works of Ed Kienholz alone, then later, from 1972 on, the collaborative projects with his wife, Nancy Reddin Kienholz. This is scarcely astonishing, since religion, war, death, and the more inscrutable sides of society and its social conflicts have always been at the center of their works. Dealing with such subjects as the sexual exploitation of women in prostitution, the role of the media, and the effects of ethnic conflicts,they pinpoint fractures of Western societies which have hardly been remedied to this day and thus lend the oeuvre its unmitigated topicality. But this contemporaneity is not due solely to the themes dealt with; today we vi...
Mario Ybarra, Jr. is an artist, educator, and activist deeply involved in the Mexican-American community and street culture of greater Los Angeles. He is co-founder, with Karla Diaz, of Slanguage, an artist group based in Wilmington, CA, that promotes intergenerational art education and cross-community discussion of contemporary art. About the video series: LACMA's Artists on Art videos offer insights into works in the museum's encyclopedic collection that have inspired and informed artists working today. Looking at art through their eyes, we hear directly from artists about works that intrigue them and have fed their own creativity. http://www.lacma.org/artistsonart
Edward Kienholz (* 23. Oktober 1927 in Fairfield, Washington; † 10. Juni 1994 Hope, Idaho) war ein amerikanischer Objekt- und Konzeptkünstler. Er gilt als einer der führenden neodadaistischen Künstler, die den Schritt vom dadaistischen Environment zur Objektmontage vollzogen haben. Leben In den 1950er Jahren begann Kienholz, der nie eine Kunstakademie besuchte und daher weitgehend Autodidakt war, sein künstlerisches Schaffen mit Holzreliefs, er ging nach und nach zur Dreidimensionalität über. Seine Materialien sind objets trouvés, in seinem Fall kann man sie aber auch objets cherchés nennen, da er gezielt auf Trödelmärkten nach Gegenständen für seine Kunst suchte. Wichtig war für ihn, seine Environments mithilfe von Lack oder Farbe zu einer Einheit zu verbinden. Effekte wie zum Beispiel ...
To coincide with the opening of 'Re-View: Onnasch Collection', curator Paul Schimmel gave a talk on the late Edward Kienholz. Hauser & Wirth London, Piccadilly, Tuesday 17 September 2013 Exhibition: http://bit.ly/16xAqX5
Copyright Kienholz, courtesy of L.A. Louver, Venice, CA
Edward Kienholz (1927 - 1994) The Portable War Memorial / Das tragbare Kriegesdenkmal 1968 Environment from various materials, tape, Coca Cola automat / Environment aus diversen Materialien, Tonband, Coca-Cola Automat Museum Ludwig Köln / Cologne
Edward Kienholz Edward Kienholz (October 23, 1927 -- June 10, 1994) was an American installation artist whose work was highly critical of aspects of modern life. From 1972 onwards, he assembled much of his artwork in close collaboration with his artistic partner and wife, Nancy Reddin Kienholz. Throughout much of their career, the work of the Kienholzes was more appreciated in Europe than in their native United States, though American museums have featured their art more prominently since the 1990s. [from Wikipedia] Music:Underworld-Bruce Lee
kleiner Ausflug ins Grüne ;) mit dem Hund zum Kienholz sammeln ...
Nancy Kienholz talks about Five Car Stud, which she spent several years restoring prior to the exhibition at LACMA. More about the exhibition: http://www.lacma.org/art/exhibition/edward-kienholz-five-car-stud-1969–1972-revisited On view at LACMA: September 4, 2011–January 15, 2012
http://www.vernissage.tv | The exhibition Kienholz. The Signs of the Times at Schirn Kunsthalle in Frankfurt am Main presents the provocative and polarizing work of Edward Kienholz and Nancy Reddin Kienholz. The show starts with early sculptures and installations by Edward Kienholz such as The Blue Wagon (1960), The Carnivore (1962), and The Nativity (1961), and culminates in Ed and Nancy Kienholz's spectacular installation The Ozymandias Parade (1985). The Signs of the Times aims to highlighting the essence of Edward Kienholz and Nancy Reddin Kienholz's oeuvre. More information and photo set: http://vernissage.tv/blog/2011/10/24/kienholz-the-signs-of-the-times-schirn-kunsthalle-frankfurt/ Ed and Nancy Kienholz's work caused a lot of opposition and uproar because of the unvarnished depic...
The exhibition Kienholz: Five Car Stud at Fondazione Prada in Milan, Italy, brings together a selection of artworks realized by Edward Kienholz and Nancy Reddin Kienholz, including the work that gives the show its title. In this video, we have a look at the exhibition, and curator Germano Celant provides us with an introduction to the show. The video also includes an interview with Nancy Reddin Kienholz, who talks about how she and Edward worked together, and the actuality of their work. This video is an excerpt, the complete video is available at http://vernissage.tv The installation Five Car Stud is a life-sized reproduction of a scene of racial violence. The work has earned a lot of attention and controversy and is considered one of the artist’s most significant works. Edward Kienholz ...
In this video, curator Dana Miller discusses the Whitney Museum's care and handling of Peetie, the live bird included in Edward Kienholz' installation "The Wait" (1964-65), on view in the exhibition "Singular Visions."
Informationen unter: http://www.schirn-magazin.de/kienholz/ Rebellisch, provokant und polarisierend hat das Kienholz'sche OEuvre seit seinen Anfängen Mitte der 1950er-Jahre stets großes Aufsehen erregt: zunächst die Werke von Ed Kienholz allein, später, ab 1972, die gemeinschaftlichen Projekte mit seiner Frau Nancy Reddin Kienholz. Kaum verwunderlich, stehen doch Religion, Krieg, Tod, Sex und die abgründigeren Seiten der Gesellschaft mit ihren sozialen Konflikten im Zentrum der Arbeit. Mit Themen wie der sexuellen Ausbeutung der Frau in der Prostitution, der Rolle der Medien oder den Auswirkungen von ethnischen Konflikten legen sie den Finger auf Bruchstellen der westlichen Gesellschaften, die bis heute kaum gekittet worden sind und dem Werk eine ungebrochene Aktualität verleihen. Eine ...
The Beanery 1965, top stuk van het Stedelijk museum Amsterdam.
1927-1994 Artista estadounidense de originalidad inquebrantable. Su obra reflexiona sobre temas sociales y políticos contemporáneos de América de finales del siglo XX. Creó cuadrps tridimensionales, a tamaño natural, hechos con materiales de desecho que encontraba por las calles o en mercadillos. . Aunque es más conocido por su contribucion al desarrollo de las prácticas escultóricas de la posguerra, Kienholz fue también un promotor clave de la vanguardia en Los Angeles como el fundador de la Galería EMPRESA y cofundador de la Galería Ferus, un lugar fundamental y lugar de reunión para poetas emergentes de la época y artistas. De 1972 en adelante, trabajó casi exclusivamente con su quinta esposa, el artista Nancy Reddin Kienholz, que jugó un papel importante en la conceptualización y l...
Ed Kienholz and Nancy Reddin Kienholz, Useful Art #5: The Western Hotel, 1992 (Portland Art Museum) Speakers: Tina Olsen, Bruce Guenther. Created by Beth Harris and Steven Zucker.
A half-hour documentary that tracks controversial assemblage artist Ed Kienholz as he prepares for a one-man show at the Ferus Gallery in Los Angeles in 1961. A raucous party at Barney's Beanery follows the crowded opening. Written and Directed by William Kronick
James Kalm smoozes his way into the exclusive private debut of Ed Keinholz's installation "Roxys". This major piece is an artistic representation of a classic brothel. The interior space is populated with sculptural elements and period furnishings.
After in-depth examination, one of the most popular works in the Stedelijk Museum collection, The Beanery (1965) by Edward Kienholz, will be fully restored for the first time by the museum staff working in its new facilities. As the installation comprises a variety of materials -- for instance, the artist coated the entire installation in a synthetic liquid resin -- this will be a complex operation. In anticipation of the grand reopening on September 23, the Stedelijk is preparing and restoring a number of its best-loved artworks so that visitors to the museum will be able to enjoy these cherished icons once more.
Visit Nancy Reddin Kienholz as she discusses her late husband Ed Kienholz's work from 1972 entitled "Five Car Stud", now on view at the Los Angeles County Museum of Art (LACMA) 04 September 2011 - 15 January 2012.
Nancy Reddin Kienholz & Peter Nestler give a first hand account of the recent exhibition "Kienholz: Berlin/Hope" at L.A. Louver. Learn more about this exhibition at http://www.lalouver.com/html/exhibition.cfm?tExhibition_id=1003
The renovated 'Beanery' installation by Ed Kienholz in the newly opened Stedelijk Museum Amsterdam. A classic: I was feeling 12 years old again, walking through this magnificent piece of art...
Curator Colin Wiggins introduces 'Kienholz: The Hoerengracht', a new installation at the National Gallery recreating a scene from Amsterdam's Red Light district. Featuring interviews with artist Nancy Kienholz. Discover more on the National Gallery website: http://www.nationalgallery.org.uk/whats-on/exhibitions/kienholz-the-hoerengracht
Rebellious, provocative, and ever polarizing, Kienholz's oeuvre has always caused quite a stir since its beginnings in the mid-1950s, first the works of Ed Kienholz alone, then later, from 1972 on, the collaborative projects with his wife, Nancy Reddin Kienholz. This is scarcely astonishing, since religion, war, death, and the more inscrutable sides of society and its social conflicts have always been at the center of their works. Dealing with such subjects as the sexual exploitation of women in prostitution, the role of the media, and the effects of ethnic conflicts,they pinpoint fractures of Western societies which have hardly been remedied to this day and thus lend the oeuvre its unmitigated topicality. But this contemporaneity is not due solely to the themes dealt with; today we vi...
The exhibition Kienholz: Five Car Stud at Fondazione Prada in Milan, Italy, brings together a selection of artworks realized by Edward Kienholz and Nancy Reddin Kienholz, including the work that gives the show its title. In this video, we have a look at the exhibition, and curator Germano Celant provides us with an introduction to the show. The video also includes an interview with Nancy Reddin Kienholz, who talks about how she and Edward worked together, and the actuality of their work. This video is an excerpt, the complete video is available at http://vernissage.tv The installation Five Car Stud is a life-sized reproduction of a scene of racial violence. The work has earned a lot of attention and controversy and is considered one of the artist’s most significant works. Edward Kienholz ...
More interviews and artists at: Please, also visit our main website: An interview with artists Jyrair Zorthian and John Outterbridge. Netropolitan: A museum without walls. More interviews and artists at: Please, also visit our main website: An interview with artist John Outterbridge by Lyn Kienholz. More videos at: Please, also visit our main website: Documentary about Californian contemporary sculpture produced by the California/.
More interviews and artists at: http://www.artsconversations.org/ Please, also visit our main website: http://www.netropolitan.org/ A conversation with the american artist Ed Moses by Lyn Kienholz at the annual meeting of The Pasadena Art Alliance. www.netropolitan.org © 2006
More interviews and artists at: Please, also visit our main website: An interview with artist John Outterbridge by Lyn Kienholz. More interviews and artists at: Please, also visit our main website: An interview with artists Jyrair Zorthian and John Outterbridge. Otis College of Art and Design Fine Arts Department hosts the Visiting Artist Lecture Series. John Outterbridge spoke on 10/4/11. Born in 1933, Outterbridge is a seminal figure in the Los Angeles.
More interviews and artists at: Please, also visit our main website: An interview with garet Nielsen by Lyn Kienholz for Netropoli. Cringe throughout this interview of Brigitte Nielsen by Joan Rivers, watch as they give each other evil eyes, your just waiting for a boxing ring to appear and them to start clawing at each. Wogan was a British television chat show that was broadcast on BBC1 from 1982 until 1992, presented by Terry Wogan.
The LA Louver art gallery in Venice, Calif., opened "Kienholz Televisions," showing 19 works by the once-notorious beat generation assemblage sculptor Ed Kienholz, many created with his fifth wife, Nancy Reddin Kienholz. Here the maker of the scandalous 1964 "Back Seat Dodge '38" focuses on TV sets as exemplars of the worst of modern American pop culture. Show runs through April 6.
More interviews and artists at: http://www.artsconversations.org/ Please, also visit our main website: http://www.netropolitan.org/ An interview with Alfred Pacquement by Lyn Kienholz for Netropolitan: Museum without walls. ©2006
More interviews and artists at: Please, also visit our main website: An interview with painter es Engel by Lyn Kienholz for. Potluck party with es Engel. The iotaCenter is proud to announce its latest release in the Kinetica Video Library series - the first in a series of selected works by pioneering artist and animator es Engel. This. The iotaCenter is proud to announce its latest release in the Kinetica Video Library series - the first in a series of selected works by pioneering artist and animator es Engel. This.
More interviews and artists at: Please, also visit our main website: An interview with painter Ung Vai Meng by Lyn Kienholz for. Loung Ung: author, lecturer, survivors of the Khmer Rouge Genocide. Story of Survival Four bodyguard suspects questioned over hit as their boss, wanted oknha Thong Sarath, evades police. Loung Ung Video 2. There is help: If you want to help others: ------------------------------.
More interviews and artists at: http://www.artsconversations.org/ Please, also visit our main website: http://www.netropolitan.org/ An interview with artist and writer Gregory Hinton by Lyn Kienholz for Netropolitan: Museum without walls. www.netropolitan.org ©2007
Nancy Reddin Kienholz & Peter Nestler give a first hand account of the recent exhibition "Kienholz: Berlin/Hope" at L.A. Louver. Learn more about this exhibition at http://www.lalouver.com/html/exhibition.cfm?tExhibition_id=1003
More interviews and artists at: Please, also visit our main website: An interview with artist Doug Edge by Lyn Kienholz for Netropoli. Film by Eric Minh Swenson. Doug Edge was born on his grandparents farm in Wisconsin during WWII, and moved to LA with family when he was 8. He discovered that there was such a person as an. For more movie news, stories and videos visit: . Subscribe to TRAILERS: Subscribe to COMING SOON: Like us on FACEBOOK: Follow us on TWITTER: Edge of Tomorrow.
Ed Kienholz and Nancy Reddin Kienholz, Useful Art #5: The Western Hotel, 1992 (Portland Art Museum) Speakers: Tina Olsen, Bruce Guenther. Created by Beth Harris and Steven Zucker.
George Herms has been in my life forever. A close friend of the family, here I did an interview with him for my "Tea With Tosh" show. It's amazing to think that we lived in two different locations, and both places were walking distance from our home. One in Larkspur California and the other in Topanga Canyon. When I hear the term 'assemblage artist" I immediately think of George. Even more so than say someone like Ed Kienholz. He is also probably one of the most entertaining chaps I have ever come upon. A man of remarkable charm. - Tosh Berman TamTam Blog: http://tamtambooks-tosh.blogspot.com Tosh Berman's Vinyl and CD Collection: http://toshberman.blogspot.com Facebook: https://www.facebook.com/Tosh-Berman-... Goodreads: https://www.goodreads.com/Tosh Instagram: https://www.instagra...
More interviews and artists at: http://www.artsconversations.org/ Please, also visit our main website: http://www.netropolitan.org/ An interview with photographer Zelda Georgel by Lyn Kienholz for Netropolitan: Museum without walls.
Wayne does not represent Red Hook Studios or any of its affiliates in any way. He and Sinvictas opinions are their own.* ▻SUBSCRIBE: PATREON CAMPAIGN . Sorry for the hurr-durr things in the start. More interviews and artists at: Please, also visit our main website: An interview with artist Wayne by Lyn Kienholz for. Interests of and related to audio producer, narrator, vocalist and drummer Wayne .
Edward Kienholz (* 23. Oktober 1927 in Fairfield, Washington; † 10. Juni 1994 Hope, Idaho) war ein amerikanischer Objekt- und Konzeptkünstler. Er gilt als einer der führenden neodadaistischen Künstler, die den Schritt vom dadaistischen Environment zur Objektmontage vollzogen haben. Leben In den 1950er Jahren begann Kienholz, der nie eine Kunstakademie besuchte und daher weitgehend Autodidakt war, sein künstlerisches Schaffen mit Holzreliefs, er ging nach und nach zur Dreidimensionalität über. Seine Materialien sind objets trouvés, in seinem Fall kann man sie aber auch objets cherchés nennen, da er gezielt auf Trödelmärkten nach Gegenständen für seine Kunst suchte. Wichtig war für ihn, seine Environments mithilfe von Lack oder Farbe zu einer Einheit zu verbinden. Effekte wie zum Beispiel ...
To coincide with the opening of 'Re-View: Onnasch Collection', curator Paul Schimmel gave a talk on the late Edward Kienholz. Hauser & Wirth London, Piccadilly, Tuesday 17 September 2013 Exhibition: http://bit.ly/16xAqX5
A half-hour documentary that tracks controversial assemblage artist Ed Kienholz as he prepares for a one-man show at the Ferus Gallery in Los Angeles in 1961. A raucous party at Barney's Beanery follows the crowded opening. Written and Directed by William Kronick
I do not own the rights to this. Arthouse films 006 The Cool School Story of the Ferus Gallery and the early days of the LA art scene
"Kienholz On Exhibit", directed by June Steel, consists of audience reactions to a Edward Kienholz's 1966 exhibit at the Los Angeles County Museum of Art (LACMA), featuring well-known works such as "The Birthday", "Roxy's" and the controversial "Back Seat Dodge". Set against a cool soundtrack that saunters from "I'm Through With Love" to "Tell It Like It Is". For more on Edward Kienholz, check out http://www.lalouver.com/html/kienholz_bio.html
More interviews and artists at: Please, also visit our main website: An interview with artists Jyrair Zorthian and John Outterbridge. Netropolitan: A museum without walls. More interviews and artists at: Please, also visit our main website: An interview with artist John Outterbridge by Lyn Kienholz. More videos at: Please, also visit our main website: Documentary about Californian contemporary sculpture produced by the California/.
Poetry and Musical Performance with Stephen Kalinich and The Divinity Band coordinated in conjunction with Ben Jackel: Reign of Fire and the Kienholz: The Jungen, The Non War Memorial and Still Dead End Dead 1 & 2. August 23, 2017.
George Herms has been in my life forever. A close friend of the family, here I did an interview with him for my "Tea With Tosh" show. It's amazing to think that we lived in two different locations, and both places were walking distance from our home. One in Larkspur California and the other in Topanga Canyon. When I hear the term 'assemblage artist" I immediately think of George. Even more so than say someone like Ed Kienholz. He is also probably one of the most entertaining chaps I have ever come upon. A man of remarkable charm. - Tosh Berman TamTam Blog: http://tamtambooks-tosh.blogspot.com Tosh Berman's Vinyl and CD Collection: http://toshberman.blogspot.com Facebook: https://www.facebook.com/Tosh-Berman-... Goodreads: https://www.goodreads.com/Tosh Instagram: https://www.instagra...
Maura Reilly, Director, National Academy Museum and School, New York; Joan Snyder, Artist, New York; Paul Schimmel, Vice President and Partner, Hauser Wirth & Schimmel, Los Angeles; Susan Fisher Sterling, Director, National Museum of Women in the Arts, Washington D.C. Moderator: Jillian Steinhauer, Senior Editor, Hyperallergic, New York Date: Thursday, December 1, 2016, 4pm to 5pm Filmed on site at Art Basel in Miami Beach 2016
More interviews and artists at: Please, also visit our main website: An interview with photographer Tadzio Pacquement by Lyn. Since the protests against the WTO in Seattle in 1999, political scientist and activist Tadzio Müller is convinced that massive civil disobedience is neccessary to fundamentally change society.. More interviews and artists at: Please, also visit our main website: An interview with Alfred Pacquement by Lyn Kienholz for.
More interviews and artists at: Please, also visit our main website: An interview with artist John Outterbridge by Lyn Kienholz. More interviews and artists at: Please, also visit our main website: An interview with artists Jyrair Zorthian and John Outterbridge. Otis College of Art and Design Fine Arts Department hosts the Visiting Artist Lecture Series. John Outterbridge spoke on 10/4/11. Born in 1933, Outterbridge is a seminal figure in the Los Angeles.
Gallery owner, collector, and patron Virginia Dwan talks with exhibition curator James Meyer (Curator of Art, 1945-1974, National Gallery of Art, Washington DC) and LACMA Senior Curator of Modern Art Stephanie Barron. Dwan was one of the most influential champions of avant-garde art in America in the mid-twentieth century. In her galleries in Westwood (1959-1967) and New York (1965-1971) Dwan presented groundbreaking exhibitions by artists such as Edward Kienholz, Yves Klein, Robert Morris, Claes Oldenburg, and Robert Smithson -- among many others -- and she was one of the greatest supporters of earthworks. In this conversation Dwan, Meyer, and Barron talk about the storied history of the Dwan Gallery and the artists who exhibited there. This event took place in conjunction with "Los Ange...
Chyna Bounds, a second year graduate student in the Department of the History of Art and Architecture, gives a talk on Confrontation & Contemplation: the Satirical Print in Europe, 1750-1850. Contemplation & Confrontation: The Satirical Print in Europe, 1750–1850 August 29, 2015 to December 27, 2015 The sweeping political and societal changes that occurred in Europe during the 18th and 19th centuries motivated artists to contemplate, and often to confront, the implications of those transformations through their works. This exhibition features prints by five prominent European satirists who did just that: British artists James Gillray and William Hogarth, Spanish artist Francisco Goya, and French artists Honoré Daumier and Paul Gavarni. The mode of satire, which gives a humorous face to...
“Race in the U.S.” (http://newschool.edu/raceintheus) is The New School’s second University course on post-election America, and is sponsored by the Provost’s Office and the 2017 Henry Cohen Lecture Series of the Milano School of International Affairs, Management and Urban Policy (http://newschool.edu/milano). WEEK 7: "Fraught Crossroads" with Lawrence Weschler, organizer of the Women’s March, Former Executive Director of the Arab American Association of New York. The terrible intersection where race, class, sex and violence keep colliding across American History (and who gets to address it) with special reference to the controversial cases of Ed Kienholz and Dana Schutz. Professor Weschler recommends reading James Baldwin's essay “Words from a Native Son” and Ramiro Gomez’s "Domestic Di...
More interviews and artists at: Please, also visit our main website: An interview with painter Ung Vai Meng by Lyn Kienholz for. Loung Ung: author, lecturer, survivors of the Khmer Rouge Genocide. Story of Survival Four bodyguard suspects questioned over hit as their boss, wanted oknha Thong Sarath, evades police. Loung Ung Video 2. There is help: If you want to help others: ------------------------------.
More interviews and artists at: http://www.artsconversations.org/ Please, also visit our main website: http://www.netropolitan.org/ An interview with artist and writer Gregory Hinton by Lyn Kienholz for Netropolitan: Museum without walls. www.netropolitan.org ©2007
Martha Whittington: deus ex machina from Art Relish. Like this? Watch the latest episode of Art Relish on Blip! http://blip.tv/art-relish/watch MOCA GA Working Artist Project 2011/2012. A dress rehearsal performance by Beacon Dance, with music by John Ciliberto. Performances take place throughout the exhibition, which runs through Oct. 6, 2012 at the Museum of Contemporary Art of Georgia in Atlanta. http://moca.org http://beacondance.org See all episodes of Art Relish http://blip.tv/art-relish#EpisodeArchive Visit Art Relish's series page http://blip.tv/art-relish
Wayne does not represent Red Hook Studios or any of its affiliates in any way. He and Sinvictas opinions are their own.* ▻SUBSCRIBE: PATREON CAMPAIGN . Sorry for the hurr-durr things in the start. More interviews and artists at: Please, also visit our main website: An interview with artist Wayne by Lyn Kienholz for. Interests of and related to audio producer, narrator, vocalist and drummer Wayne .